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Elton John supplied inspiration as James Hetfield continued writing periods for Metallica subsequent album.
They carried out John’s “Funeral for a Pal / Love Lies Bleeding” in the course of the March ceremonies the place he and longtime co-composer Bernie Taupin obtained the Library of Congress Gershwin Prize for Well-liked Tune. Hetfield got here away “challenged” – and impressed.
Metallica then took a break, solely getting collectively for a number of free jams, earlier than preparations started for ongoing European dates in assist of 2023’s ‘72 Seasons.
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“The break day has been fairly improbable however, on the similar time, I missed taking part in with the fellows,” Hetfield tells The Metallica Report podcast. “And I allow them to know, ‘Man, I miss jamming with you guys!'”
Hetfield spent a lot of this downtime engaged on new songs whereas hidden away in a makeshift basement studio. John’s signature medley from the 1973 multi-platinum double album Goodbye Yellow Brick Street caught with him. “The Elton John factor was so improbable – had a blast there,” Hetfield provides. “Elton, what a fantastic soul.”
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It might have been a trip, however Hetfield continued “taking part in guitar just about day-after-day. I’ve to. It is like respiratory,” Hetfield confirms. “Whether or not it is an escape from life or no matter it’s, I like my little music room basement. I’ve bought a pc, a number of guitars and just a little rig arrange. It’s my soul-nourishing place, to go in there and simply play and write. Not a lot practising; it is simply writing.”
As for the songs, “I get impressed [by] every kind of various music, listening to it. Even the Elton John factor, hanging out with Elton and Bernie Taupin challenged me. Watching [the 2019 John biopic] Rocketman and seeing how they wrote – Elton is such a visionary in the way in which that Bernie units a set of lyrics, a poem, in entrance of him and he sees the music simply showing, which is weird to me. I am extra of the previous Tony Iommi means, the place, ‘Right here is the riff, and we construct across the riff,’ you already know?”
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