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That the title of Caroline Polachek’s new single, Starburned and Unkissed, appears like a observe title you may discover on a late ’90s Smashing Pumpkins album is not any coincidence, because the track – described by the New York-born alt. pop star as “straight-up grunge” – options within the new A24 film I Noticed The TV Glow, set in… the late ’90s.
Polachek truly wrote the track in 2022, earlier than author/director Jane Schoenbrun obtained in contact together with her about contributing to the soundtrack, however when she heard the define of the plot, which issues two youngsters within the mid’90s obsessing over The Pink Opaque, a fictional TV drama through which two psychically linked ladies battle towards evil, she realised that her ‘misfit’ track may lastly have a house.
In a new interview with Vulture, Polachek reveals that she labored on the track, themed round “solitude within the digital age, however by a really surrealist however teenage sort of lyrical bent”, with PC Music supremo A. G. Cook dinner whereas he was experimenting with ‘guitar period’ sounds. Requested if she was channelling Alanis Morissette with the track, Polachek factors out that she was solely 10 years outdated when Morissette was taking on the world’s airwaves together with her debut album Jagged Little Pill, and divulges that her influences got here from the music she was listening to in her mid-teens.
“I used to be too younger to take part in precise grunge – I used to be 10 years outdated when Nirvana, when Alanis have been peaking, and I believe I skilled it in a really child method,” she says. “I skilled it by MTV. I skilled it by bands like Silverchair, which have been late-generation, shiny major-label teen grunge. After which I watched it form of have a number of ranges of revival in issues like Sky Ferreira, in sort of nü-metal incarnations like Kittie. I used to be obsessive about Kittie.”
Polachek goes on to speak about how, across the similar time, listening to Radiohead‘s Child A rocked her world.
“I believe possibly I by no means felt extra alone and extra seen on the similar time, in that album,” she says. “The sensation of alienation, the sensation of developing towards the techniques of actuality, whether or not it’s the work system, the training system, the digital world — it was all simply completed with a lot sophistication and dreaminess and sexiness. And I used to be similar to, Oh my God, I didn’t know that artwork might do that.”
Watch the trailer for I Noticed The TV Glow beneath:
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