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Each day for round three months, Evergrey singer Tom S Englund and prolific pianist Vikram Shankar would meet just about over Zoom to see what musical concepts would possibly blossom between them. The consequence was their second album Nectar, and regardless of its digital roots, the wealthy report brims with emotive soul that manages to be intimate but completely grand.
“It was stunning, as a result of if I needed to take an opportunity on one thing I may simply stroll over to my Moog synth or one thing and simply strive it,” Shankar remembers. “It was a really free-flowing course of the place we had been throwing numerous stuff on the wall to see what caught.”
For a bunch that pivot on the rudimental pairing of vocals and piano, Silent Skies make a hell of a sound. Not in a brash manner, however there’s a minimalist-yet-full, cinematic aura streaming by way of their spine. And Nectar is ear-catchingly accessible too, regardless of some melancholic detours, with large melodies match for a good greater viewers and an unashamed pop veneer outlined by some elegant vocals – elevated excessive up within the combine – that are married to deft piano.
“We’re taking affect from so many alternative issues,” Shankar explains from his house studio in North Carolina. “They vary from the fairly arcane, whether or not it’s digital music like Aphex Twin, or we discuss Radiohead or Anathema and Katatonia, after which we love music like Adele as effectively. All of it is available in our melting pot of issues that we love to do.”
Silent Skies act as one thing of an outlet for musical yearnings not all the time explored within the day job. Englund’s Evergrey sit on the sting of the progressive metallic sphere, whereas Shankar has fingers in lots of pies, having labored with Haken’s Ross Jennings and Head With Wings whereas additionally burning up the keys in instrumental trio Lux Terminus. He and Englund rock up in prog metallers Redemption too.
“We’re setting ourselves free from some preconceived notions of what somebody would possibly count on after they placed on a Tom Englund report or a Vikram Shankar report,”
the pianist ponders. “We’re open to making an attempt some issues that possibly we don’t do in a few of our different initiatives.”
Their genesis serendipitously stemmed from an Evergrey cowl Shankar uploaded to YouTube, which caught the eye of Englund. Suitably impressed with the emotion streaming out of the pianist’s fingers, he acquired in contact and debut album Satellites adopted in 2020.
So what’s subsequent for Silent Skies? The duo, self-described workaholics, are already gazing over the musical horizon. “At any given time we’re like one or two albums forward of what the general public is listening to,” Shankar says. “We’re already engaged on our third album and fourth albums, and we’re additionally working very carefully along with an organization known as Saber Interactive, which makes video video games.
“It’s troublesome to say precisely what the following Silent Skies endeavour goes to sound like, as a result of we’ve so many alternative irons in several fires. However we’re all the time making an attempt to do issues that excite us.”
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